To blog or not to blog

by Rafael Figueroa

Hey, you know that guy that owns that hotdog shop who defies all food-handling etiquette by turning the hotdogs over on the grill with his bare hands? Anyone who has visited enough of these establishments knows that guy, even if you've never seen those that I have, there are enough of them out there that you have probably seen one. Also, do you know what they put in hotdogs? If you enjoy eating them you probably don't and it's probably better that way. Oh, and do you know about all the FDA regulations they keep writing into law that govern the manufacture, distribution, and preparation of hotdogs? Did you know that the size and shape of a hotdog is ideally suited to obstruct the airway of a child? Did you know that there is more written about hotdogs online than has ever been printed about them? Well, I kind of made that last factoid up, but it seems plausible.

Any or all of the questions posed above are suitable subjects for blog posts. I could go on for thousands of words on blog topics and never begin to scratch the surface of what is possible nevertheless what is actually out there. Blogging is, quite simply whatever the individual blogger wishes it to be.

Now, it may seem odd to blog about what to blog about, but we live in an age where a popular form of entertainment is entertainers presenting shows about what kind of entertainment is out there. We have news programs talking about what kind of news is being covered and by whom. So, why not blog about blogging… if only this once.

I know that not everyone reading this blog has a blog of their own. Some might think that they don't have anything to talk about while others may have time constraints or confidence issues. The great thing about blogging is that you make the rules. You can write a single sentence or paragraph on an irregular schedule and on a wide range of topics. You can write well or write sloppy. Whatever you do, it's your blog and you are the final authority on its merit.

A lot of people who I talked to who are resistant to the notion of starting a blog have concerns over who would read their blog. I have answered this concern in a variety of ways but it generally boils down to the insignificance of the question. Writing a blog is pure writing. There is no editor, no red pens, and no limitations. There's just you and the words. Writing while free of these restrictions is great practice in and of itself. It doesn't matter who or if anyone reads what you write, the act of writing on a regular basis can't help but improve your skills.

Now, you do run the danger of having people read your work, and dare I say respond to it. Another apprehension that folks have about blogging is the fear of negative or abusive feedback. All I can say to ally this fear is to proffer the notion that a small measure of maturity is required to receive this type of criticism. Maturity allows one to evaluate the source of a critique along side the critique itself.

There are all manner of jerks on the internet just as in life and the anonymity of they typed word frees these jerks to say things they wouldn't dare say in person. Just take it in stride and look at it as a social experiment. Anyone who has such little class as to make nasty comments to your work probably has little pride in himself let alone works of his own that he may be proud of.
To blog or not to blog, that is the question: whether it is nobler to have blogged and failed or never to have blogged at all? If it's good you'll gain followers. If it's bad you'll get practice and become good. Happy Blogging!

What I Did and Did Not Do at the BDWN “Write It Right” Conference

by Priscilla Y. Huff

Following the Black Diamond Writers Network's first annual “Write It Right Conference held on April 17, 2010, at the Schuylkill County Council for the Arts, I reviewed what I did and did not do to maximize my attendance there:

What I did do: Asked other attendees why they were there and what writing or other creative genres they were interested in pursuing. It was fascinating to hear their backgrounds: one gentleman, retired from his career working with persons who were hearing impaired, was interested in publishing his poetry; and another young man was interested in publishing Schuylkill County photography. I also met a woman with a common interest in nature, who is also a photographer and creates unique bookmarks.

What I did NOT do: I should have asked MORE attendees this same question. People like to network and exchange ideas and love it when others show an interest in their goals.

What I did do: I exchanged business cards with numerous people.

What I did NOT do: I should have exchanged MORE cards; plus I should have made a notation on the back of these cards so I remembered what we discussed.

What I did do: Followed-up with e-mails with some of the attendees and the presenters with whom I spoke.

What I did NOT do: Followed-up with e-mails with ALL of the people I met. It is important to make a contacts with those people you met, ASAP, so you can both exchange more networking information.

What I did do: I took good notes at the two workshops I attended.

What I did NOT do: I did not transcribe all the notes. It is important for me to write out my notes when I attend workshops shortly after the conference is ended, so I can implement those new ideas and tips I learned into my writing.

What I DID do: I thanked the organizers and members of the BDWN and the presenters for the excellent job they did. If I did forget to thank anyone who was a part of this excellent conference, I apologize.

I am already looking forward to attending the April, 2011, BDWN Writer’s Conference, How about you? Are you going? You will be glad you did.

Where Do You Like to Write?

All writers have their favorite writing place. Some prefer to churn out stories in a quiet, peaceful room in their house, away from the chaos and noise of everyday life. Yet others thrive on commotion and have their own styles of tuning out the noise and focusing on the work at hand. They might find inspiration in these unexpected places,in the midst of people yet still a bit distant from the goings-on.

What about you, writers? Where's your favorite writing place?

Writing It Right

Whew!

The first annual Write It Right conference is in the books, and what a day it was!

A huge THANK YOU goes out to everyone who attended or participated in the success of the day in some way, shape, or form. It's hard to pinpoint the highlights, since there were so many, and different for everyone. Our committee worked hard to bring in interactive, knowledgeable speakers who could talk about things that affect ALL writers, and we worked hard at keeping the day on track and running smoothly. All in all, we really couldn't have asked for a better day. We got lots of compliments on the venue (a renovated Victorian mansion with history and character galore), the lunch offerings, the speakers, and our author book fair was a nice way to end the day (plus our authors did some brisk business!)

But our blog continues, as we post info about the Black Diamond Writers Network, our members, speakers, and writing in general!

Interview with Stephen Pytak

Stephen Pytak is a full-time reporter for the REPUBLICAN-Herald newspaper in Pottsville, PA and the author of several novels. He sits down with us to talk writing, comic books, and the connection between the two.
BDWN: Thanks for speaking with us, Steve. Can you tell us a little bit about your books?

STEPHEN: Sure. To date I’ve written three novels, all thrillers: "The .40 Caliber Mouse (2003)," released by PublishAmerica; "The .40 Caliber Mousehunt (2008)," released by Mazz Press; and "The Wild Damned," to be published by Mazz Press in December 2010. They all take place in a wonderfully dark universe I created a few years back. There are continuing characters, in particular, "Corinn," the anti-heroine of "The .40 Caliber Mouse" series. When I write fiction, I enjoy developing characters who are driven by the Furies, so to speak. In other words, they’re fueled by anger, vengeance and dark desires.

"The .40 Caliber Mouse," for instance, is about low-rent mercenaries who sell their services online. The leads all have different motives for getting involved with it. Corinn’s involves a personal vendetta.

BDWN: How do you get your ideas?

STEPHEN: I’ve always had a passion for writing about the dark side of human nature, in fiction that is. I have this real love for novels, comic books and movies, thrillers and the horror genre. If I come up with an original idea with a similar thread, I pay close attention. I think fiction writing should be fun for the most part. So I look for things I think would be fun to write about. I think if the writer’s having fun, theoretically the reader will too. So I try to develop storylines I’d enjoy exploring myself. For instance, I love "Corinn." Writing about her inner demons and plans to iron them out is always a pleasure. She’s intriguing, always fun to spend a Saturday afternoon with. I recently gave her a skateboard. It will appear in her fourth novel, which I’m currently writing. Ideas can come from anywhere. It’s good to keep a pen and a slip of paper handy. I’ve scribbled on dozens of napkins over the years. Some of my best come out of conversations with my wife on long road trips.

BDWN: How long did it take you to write your books? Do you use an outline or just go where the story takes you?

STEPHEN: After writing three books, I’ve learned a lot about myself as a writer and the process I employ. On average, it takes me about three years to put out a novel. I always use a basic outline in my head. I use a lot of the skills I picked up in a college screenwriting class, in particular the three-act structure (even though "The Wild Damned" has four acts). It keeps me on track. It’s good to know where you’re going. It’s good to write your last scenes first, at least rough drafts, so you know where your characters will end up. These scenes might change. That’s fine. One of the reasons to write them first is so you can hone them and make them the best you can. While I will always use an outline, I do allow my characters to stray a bit if that’s what they’re inclined to do. But what they do must fit our story. If they take me somewhere interesting that doesn’t fit our current project, I’ll save the material and perhaps use it on another one.

BDWN: As a reporter, you obviously cover a huge number of stories every day. How has your day job influenced your writing? And how do you fit in time to write around your unpredictable reporter’s schedule?

STEPHEN: Loaded question. You can get ideas from anywhere, even work. I work as a staff writer for a daily newspaper, The Republican-Herald, Pottsville, Pa. Every now and then a police report will come in that I’ll find interesting. Or sometimes I’ll get the opportunity to tour a factory or farm, a place I normally wouldn’t have access to. And I’ll make note of the sights and sounds. While "The Wild Damned" takes place in Columbus, Ohio, I got some of my ideas for scenes from locations here in Schuylkill County. The former Yuengling Creamery is one. How do I find time to write fiction around my unpredictable work schedule? I write whenever I can. If I get an idea for something, I’ll immediately jump onto my home computer after work and start pounding it out. Usually I write fiction on my days off. Saturday mornings are the best. Now that my wife and some friends are editing "The Wild Damned," I started work on my fourth novel.

BDWN: What’s next for you?

STEPHEN: I intend to publish "The Wild Damned" through my independent publishing division, Mazz Press, by December 2010. Meanwhile I’m writing the fourth novel in "The .40 Caliber Mouse" series. Meanwhile I am always setting up author events. Norm Breyfogle, famed comic book artist known for his work on DC's “Batman,” did the art for “The .40 Caliber Mousehunt” and “The Wild Damned.” Because of that, I also do events at comic book conventions. The best way to see what I do is to stop by my table. We're hard to miss. You'll find not only bookmarks and posters featuring my characters, but T-shirts and, our most interesting item for sale, a full-head mask I designed for the villain of “The Wild Damned.” The mask of “The Carrion Crow” is now available for order. It's made by KreationX Inc., New York. For more information about my work, log onto www.mazzpress.com

Local Authors to Participate in our Book Fair

The Write It Right conference is quickly approaching! We're very excited to have a number of local authors participating in our local author book fair at the end of the day. As you can see from the list, the authors span all ages and genres.

The authors participating include:

Vincent Genovese, The Pottsville Maroons and the NFL’s Stolen Championship of 1925; The Angel of Ashland; The Remarkable Discovery of Manny Faber; Billy Heath: The Man Who Survived Custer’s Last Stand

Stephen Pytak, The .40-Caliber Mouse: A Modern Tale of Vengeance

Patricia Rowe, The Other Side of the Desk: A Teacher Remembers.

Patricia Klatch Shenyo, GOD?

Tisha Tolar, Gen-X

Jodi Webb, Pennsylvania Trivia: Weird, Wacky, and Wild.

Susan Wisnewski, Owner, Lazy Dog Café and Coffeehouse (venue for authors and artists)

We'll feature one last author interview this Wednesday!

Why I Write

by Rafael Figueroa

One day I was standing in the back of a C130 cargo plane at the end of the retractable ramp with a drogue parachute line secured to my harness. A smiling airman, who would not be jumping today, assured me that they had simulated this kind of emergency drop countless times and that the jumper almost never died. Was he kidding? There was no way to be certain.

With one last nod in my direction, he pulled the two red levers, one up and the other down. The relative quiet of the cargo hold gave way to a roar better measured in its fearsomeness than in decibels as articulating hydraulic pistons forced the rear end of the plane to open. I was quite sure that the aforementioned airman was looking to me. He would generally need a signal of readiness from me in order to deploy the small parachute in his hand, the very parachute that was fastened to my harness via a sturdy hook. Once he dropped this drogue parachute, nothing short of the hand of god himself could stop it from dragging me out of the plane and into the skies high above enemy territory.

The airman looked to me to give him the signal, but I couldn't stop looking out at the dark emptiness beyond the end of the plane's cargo ramp. Years of training prepared me for this moment, but the most fleeting spark in my brain overcame my training, the spark of fear. In a panic, I reached for the clip on my harness that attached me to the drogue line. This motion must have approximated the signal that the airman anticipated because, in that same moment, he pitched the parachute out into the night.

Time slowed as the line tethering me to the night itself pulled taught. Have you ever ridden in a glass elevator? If you do it often enough, you notice a brief moment as the elevator begins to accelerate wherein it almost seems like the world outside begins to move rather than the elevator itself. In much the same fashion it seemed like the cargo hold around me suddenly accelerated to 300 miles per hour in the blink of an eye. In that moment I paused to reflect on the fact that none of this had ever happened… not to me at any rate.

You see, I made up every word of this story out of my imagination. I did take a ride on a C130 once, I've ridden in glass elevators, and I once saw a movie where people were deployed from a cargo plane in a manner similar to what I described here, but that's about all the truth there is to this little story. Though none of this really happened, I now own a little piece of what it would be like if it had, and so do you. That is why I write.